Here's a story set in Aliette de Bodard's 'Dominion of the Fallen' universe:
Children of Thorns, Children of Water is set between two novels - The House of Shattered Wings and The House of Binding Thorns. It was a preorder reward for The House of Binding Thorns, and was then made available for free online in issue 17 of the Uncanny Magazine.
It has now, deservedly in my opinion, been shortlisted for the 2018 Hugo Award.
To whet your appetite for the story, which I strongly recommend you read, I shamelessly nick Aliette's own description of her story:
Dragons, creepy magic, cooking (!).
In a Paris that never was, a city of magicians, alchemists and Fallen angels struggling to recover from a devastating magical war…
Once each year, the House of Hawthorn tests the Houseless: for those chosen, success means the difference between a safe life and the devastation of the streets. However, for Thuan and his friend Kim Cuc, — dragons in human shapes and envoys from the dying underwater kingdom of the Seine — the stakes are entirely different. Charged with infiltrating a House that keeps encroaching on the Seine, if they are caught, they face a painful death.
Worse, mysterious children of thorns stalk the candidates through Hawthorn’s corridors. Will Thuan and Kim Cuc survive and succeed?
Here's a blast from a past, and a great hope for the future, all in one package!
S. P. Somtow (or Somtow Sucharitkul, which he originally published under), the Thai/American polymath famous for both his writing and as a composer, has re-released The Comet that Cried for its Mother, an Inquestor originally published in Amazing Stories and later, in adapted form, included in Utopia Hunters on Wattpad.
So, firstly, go forth and read, and enjoy - I always appreciated the Inquestor stories for their fantastic Space Opera setting, mixed with a High Values/High Honour culture which could just as well be from a classic Fantasy setting, for its inspirational and evocative language and storytelling.
But, also - this is, as he states, part of the path toward a 5th novel in the series; which he plans to publish in Novella-length instalments as a Zine, with ancillary materials, original stories, and hopefully artwork. And me, for one, cannot wait to get my hands on new (or even previously unseen) material set in this universe.
Here's a little treat for you, and fresh off the press (virtually only, though):
Uncanny Magazine has, in its November/December issue, a story by Karin Tidbeck called The Bone Plain - talking about running away, about finding your own way, or maybe yourself. And about redemption, maybe.
But read for yourself, the story is not very long, but very much worth reading!
Karin Tidbeck is a Swedish writer of Weird Fiction, sometimes, as is the case here, with a hint of Fantasy (or 70s SF art? I could picture the Bone Plain setting as such!), and a new and exciting voice that you should not miss!
The story is subtitled 'Working Back from Human Extinction', and does exactly that - provide a list of events and interventions, in reverse chronological order, of the run-up to human extinction. You will not be surprised that it begins in the today, or maybe even the yesterday, with 'Turn off the lights when you are no longer in the room.'
But if the path to hell is paved with good intention, then the path to human extinction is paved with decisions made with the best intentions. At least some of them, the rest of course were made due to greed, other interests than humanity overall, or simply stupidity...
And here is a little rarity - a story about a society at war, about how societies' structures and norms change in such circumstances, but especially about the price of taking up arms and of killing, and an unusual take on how to end war and bring about peace.
Unusual, maybe, but something I can greatly sympathise with - described and executed with the clarity and simplicity of mind of a child, and an impeccable logic.
The Days of the War, as Red as Blood, as Dark as Bile by Aliette de Bodard is set in her Xuya Universe, in the future/SF branch, and was originally published by Subterranean Press. A lot of things remain unsaid, unexplained, and you don't need to know them to appreciate the story and its marvelous conclusion. You also don't need to be familiar with the other Xuya works to appreciate this, either (but I would suggest you start reading these should you like this short story!)
The image on the right comes from Pinterest and without original attribution - if anybody knows where it is from then please let me know, so I can add credit where credit it due!
