It's a deceptively simple story about withholding personal information from the authorities who, by default, feel entitled to this, and the consequences and complexities this can have if you attempt to live a 'normal' life in an environment which expects you to share and overshare these things.
It's fascinating, thought provoking, and (at least for me) slightly sad. But go read, and make up your own mind!
The illustration which goes with the story is by very talented Illustrator Daniel Stolle
Now here’s a book I tried to avoid. Not because I don’t like Neil’s writing, most of it agrees with me, or because I don’t like Mythology, Norse or otherwise (I quite do), but I turned down an electronic review copy because I expected there be endless reams to be written about it (there were indeed), and it to sell like hot cakes anyway, without any publicity by myself (oh, and didn’t it just). Plus, I really have enough to read and write about, or so I thought. Others thought otherwise, though, and so here I am with a signed copy, and, as I’m wont to, an opinion after reading it. Even if it’s been 3 months since the book came out.
So, hype aside, what is this about, then? I mean, Neal has been writing about Norse Mythology, and using its characters and tropes in his oeuvre for a long time - quite openly in the Sandman series, or in Odd and the Frost Giants, but as an influence in many other parts and stories, too. But this here is the full treatment, with focus, of course. And, from his introduction, it sounds like the main aim for him was to share his fascination with this body of mythology, and animate people, many people, to join in and start reading more of the topic.
Also - I really don’t see a point in introducing the author, Neil Gaiman, who has been described as the SF Rockstar before. I don’t think there are any in the current crop of genre writers who have anything like his reach and success in the mainstream - the late Terry Pratchett might have come close, but otherwise you’re going back to Vonnegut, Ballard, or maybe Asimov.
The Laundry Files series by Charles Stross has been a running concern since the release of The Atrocity Archives in 2004, it has progressed from its original blueprint of geeky humour mixed with Lovecraftian horror via the horror of Bureaucracies running Occult Secret Services trying to save the world from, err, the end of the world, to the current crop of stories which are rather darker, and are driving towards whatever the (presumably cataclysmic) conclusion of the series is. The series currently runs to 7 novels plus several short story/novella add-ins so far; The Annihilation Score, the topic of this review, is the 6th book (yes, I’m still one behind), and an 8th instalment, titled The Delirium Brief, is hitting the shops in July 2017. I better get reading…
The Annihilation Score is different to its predecessor in two main points - firstly it deals with Superheroes, instead of the usual more horror-based approach (the horror of Bureaucracies is still present, of course, with added politics), but secondly, and even more of a departure, the main protagonist relating the story is not Bob Howard this time, but his estranged wife Mo O’Brien instead. And, in keeping with this change, we get to hear the story not just of the current outbreak of Superhero powers in the UK (related to the the usual scenario of the walls between realities being eroded dangerously), but we also learn much much more about the relationship between Mo, and her magic violin, Lector. The fact that it has a name, a personality (yes, it’s self-aware), its own goals, needs, and drives, and a sex life (by invading Mo’s dreams…) make for a certain amount of uneasy reading - the sex is less pervy and quite a lot more creepy than it could have been; instead we get massive relationship and jealousy issues towards Bob, who now, with his mentor Angleton dead, is the earthly vessel for the Eater of Souls. Who in turn does not really like Mo, it appears.
“...and what must it be like, to be an alien spirit bound into an instrument carved from the agonised bones of dying men and women, immobile and helplessly dependent on a human host, hungry for experience and thirsty for blood…”
Charles Stross has been enriching our lives with his (predominantly) SFnal tales for over 15 years now, and is thankfully showing no intention to slow down. His articles on antipope.org are as thought-provoking as his fiction output is entertaining, never mind his scintillating presence when put in front of a microphone, or a few pints (or both…). Empire Games is the first book in a new series of apparently the same name, set in his Merchant Princes universe. Now, I have so far avoided these books (6 novels or 3 omnibus editions, respectively) for reasons of time and inclination due to the original topic, so am coming at this with a ‘clean’ background. So, although Charlie considers this be a viable jumping-on point - any misunderstandings below concerning the setting are obviously mine, and most likely due to this; but feel free to point them out to me! The other books in the series are expected in January 2018 (Dark State), and January 2019 (Invisible Sun) - I shall be looking out for them!
The setting, for those who are like me not familiar with the universe this plays in: There is more than one world - there actually are, most likely, an infinitive number thereof. It’s explained to Rita Douglas, our main protagonist, as follows: “Let’s just say we live in a multiverse - a bundle of parallel universes branching off each other. The vast majority are identical but for some quantum uncertainty, and they keep merging and re-emerging. But there are sheaves of parallels where the differences add up to something we can tell apart. A huge number of such sheaves exist, and we call them time lines.” There are ways to move from one such time line into another - some humans can do it (we learn that this is an engineered ability, and not natural), and the USA have machines that can do this, too, rumoured to use ‘donated’ brain cells from captured world walkers. The book plays across (only) four of these time lines, helpfully labeled Time Line One-Four. Time Line One is the Merchant Princes one, I understand, with the Gruinmarkt as the home to the Clan of world walkers. This was nuked into oblivion by the US in retribution for a world walker blowing up the White House with a nuke.
Here is an unexpected treat - and no, I don't mean the Eggs!
Behind Click-Bait Headlines like the one above you normally find either yawn-inducing mundanity not worthy of the over-hyped title, or advertising completely unrelated to the topic. If you're lucky...
Still, this here is very much worth reading, because of What Happened.
And here is a little rarity - a story about a society at war, about how societies' structures and norms change in such circumstances, but especially about the price of taking up arms and of killing, and an unusual take on how to end war and bring about peace.
Unusual, maybe, but something I can greatly sympathise with - described and executed with the clarity and simplicity of mind of a child, and an impeccable logic.
The Days of the War, as Red as Blood, as Dark as Bile by Aliette de Bodard is set in her Xuya Universe, in the future/SF branch, and was originally published by Subterranean Press. A lot of things remain unsaid, unexplained, and you don't need to know them to appreciate the story and its marvelous conclusion. You also don't need to be familiar with the other Xuya works to appreciate this, either (but I would suggest you start reading these should you like this short story!)
The image on the right comes from Pinterest and without original attribution - if anybody knows where it is from then please let me know, so I can add credit where credit it due!
What do you call a human Empire, spread out across a number of star systems, and set up so each system relies an all or most of the others for survival? With an Emperor (sorry, Emperox, gender neutral term) at its centre, a trade guild/house system ruling it together with a Church, and a society in what amounts to a caste system? Thriving? (well, yes). Wealthy? (yes, albeit much more true for the top layer). Corrupt? (oh, certainly).
But more to the point, this first book in John Scalzi's new Interdependency series, The Collapsing Empire, also adds 'Endangered - due to its reliance on the little-understood Flow links which tie this Empire together' to the list of attributes. Never mind the fact that this could mean the end of humanity as they know it... There's more to be added here, but I really don't want to spoil a book which you should read for yourself! But let's just say that the title alone has at least two meanings.
John Scalzi is an American SF writer, who has been entertaining the readers with his tales since 2005, and has won Hugo, Locus, Campbell, and Seiun awards for his work during that time. He is a former president of the SFWA and was (to some extent still is) an exponent in the last few rounds of politics in the SF community (e.g - google Puppygate if you like non-edifying squabbling). He also writes non-fiction, and regularly blogs on whatever.scalzi.com on a wide variety of topics. The Collapsing Empire, out for a few weeks as I'm writing this (yes, I'm behind. Sorry.) kicked off the new Interdependency series in style: Scalzi summarised it as “Sales records broken, bestseller status achieved, and TV deal gotten”. Way to go...
